Las óleos de todo Giovanni Antonio Boltraffio
ID Image  Painting (From A to Z)       Details 
88570  
Giovanni Antonio Boltraffio, Baptist and two donors
  		 Baptist and two donors   Oil on wood, 1500 cyf
88141  
Giovanni Antonio Boltraffio, Maria mit dem Kind
  		 Maria mit dem Kind   c. 1500(1500) Medium Oil on panel Dimensions 83 x 63.5 cm (32.7 x 25 in) cjr
89775  
Giovanni Antonio Boltraffio, St Sebastian
  		 St Sebastian   second half of 15th century Medium Oil on wood transferred to canvas cyf
97783  
Giovanni Antonio Boltraffio, St Sebastian
  		 St Sebastian   second half of 15th century Medium Oil on wood transferred to canvas cyf
84672  
Giovanni Antonio Boltraffio, St. Sebastian, detail from a Madona with Child, St. Sebastian, St. John the Baptist and two donors
  		 St. Sebastian, detail from a Madona with Child, St. Sebastian, St. John the Baptist and two donors   Oil on wood, 1500. Dimensions H. (total) 1.86 m (6 ft. 1 in.) cjr
94064  
Giovanni Antonio Boltraffio, The Resurrection of Christ with SS. Leonard of Noblac and Lucia
  		 The Resurrection of Christ with SS. Leonard of Noblac and Lucia   circa 1491(1491) Medium oil on poplar wood Dimensions Height: 234.5 cm (92.3 in). Width: 185.5 cm (73 in). cjr
86947  
Giovanni Antonio Boltraffio, Virgin and Child
  		 Virgin and Child   between 1493(1493) and 1499(1499) Medium Oil on wood cyf
87004  
Giovanni Antonio Boltraffio, Virgin and Child with Sts John the Baptist and Sebastian
  		 Virgin and Child with Sts John the Baptist and Sebastian   1500(1500) Medium Oil on poplar cyf
Giovanni Antonio Boltraffio
was an Italian painter of the High Renaissance from Lombardy, who worked in the studio of Leonardo da Vinci.[2] Boltraffio and Bernardino Luini are the strongest artistic personalities to emerge from Leonardo's studio. According to Giorgio Vasari, he was of an aristocratic family and was born in Milan. His major painting of the 1490s is the Resurrection (painted with fellow da Vinci pupil Marco d'Oggiono and now in the Gemäldegalerie, Berlin). A Madonna and Child in the Museo Poldi Pezzoli of Milan, is one of the high points of the Lombard Quattrocento. His portraits, often in profile, and his half-length renderings of the Madonna and Child are Leonardesque in conception, though the clean hard edges of his outlines lack Leonardo's sfumato. In Bologna, where he remained in 1500-1502, he found sympathetic patrons in the Casio family, of whom he painted several portraits and for whom he produced his masterwork, the Pala Casio for the Church of the Misericordia (Louvre Museum); it depicts a Madonna and Child with John the Baptist and Saint Sebastian and two Kneeling Donors, Giacomo Marchione de' Pandolfi da Casio and his son, the Bolognese poet Girolamo Casio[3], who mentioned Boltraffio in some of his sonnets. Boltraffio's portrait of Girolamo Casio is at the Pinacoteca di Brera, Milan.



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